Breakdancing is probably connected to Urban Street Jazz or more likely capoeira, an Afro-Brazilian martial art/dance. Breakdancing as we know it today developed in New York City in the late 1970s and early 1980s, although there is some controversy, many argue that it was also developing in Los Angeles at the same time. However, the majority believes it is strictly of New York origin. The original practitioners (Crazy Legs, Spy, the Nigga Twins, etc.) say that other dances that people commonly associate with b-boying such as capoeira may have influenced b-boys (many b-boys are known to gather influence from old Kung Fu films). However, b-boying does not stem from those dances. Prototypically the pioneers of breakdancing were young and of a lower socioeconomic class. The majority of these were male, and most were Black or Hispanic, and lived in dense urban areas (mostly New York). Many of them were members of street gangs who taught themselves martial arts (particularly capoeira) for self defense. The style was so full of dance-like moves that it translated well to the nightclub, where breakdancers would battle. Breakdancing, both in the nightclub and on the street is competitive in nature, much like the other elements of hip-hop, as well as capoeira.
One story that is common is that Mestre Jelon Vieira, a widely known master of capoeira, was doing shows in New York City. He then formed the Rock Steady Crew, teaching them movements from capoeira which they then integrated into a form of dance which was to become breakdancing. Whether or not this is true, there is a very strong similarity between many breakdancing moves and many capoeira movements. For example, the movement pictured in the stamp above is very similar to a capoeira movement called queda de rins. Capoeira also has the tradition of a pair of opponents playing a flowing game in which they try to show their mastery inside a circle of onlookers who sing and play music. In any case, the two arts have since diverged sharply.
BREAKIN-1984-OLD SCHOOL BREAKERS