Hip Hop played a big part in bringing peace from a gang life for many. Self expression through graffiti, bboy, beatboxing, the emcee, the dj, the knowledge all was a way of expressing ourselves with out the guns, weapons, violence. We instead battled as crews against each other using the elements of hip hop. Some of these expressions were almost like a cry for help is how it was for some when no one else would listen.

From Gangs To Glory
For those who are unfamiliar with the Zulu Nation, they began as an organization founded by Afrika Bambaataa at Stevenson High School in the Bronx. Back than it was simply known as 'The Organization'. Bam who once lived the gang lifestyle and was trying to change his ways and saw the newly formed group as a way out. Bam who was known for reading and staying up on the teachings of Elijah Muhammad and other African American leaders, changed the name to Zulu Nation after watching a movie that told the tale of the well known South African tribe.. Bam was inspired by their resistance to Dutch settlers. As Hip Hop became popular, the group became known as the Mighty Zulu Nation and as later the Universal Zulu Nation.

The story behind the evolution of UZN is significant. Back in the days Zulu's struck fear in many who lived outside of their Bronx River Housing Project strong hold. While they gave birth to Hip Hop's first B-Boys and B-Girls, the group for the most part was made up of former gang members. Many of them from the Notorious Black Spades which once reigned terror throughout the Bronx in the early to mid 70s. It used to be a really big deal for cats to hang out at Bronx River and not get stuck. It was a sign of toughness and brought much prestige. Many of the early crews tried to associate themselves with Zulu Nation for protection from roving bands of stick up kids and other gangs turned crew. It was in this backdrop that Bambaataa and other conscious brothers spent a lot of time teaching and preaching and working with Zulu members to bring about positive change. Bam often talks about how he would do simple things like bestow titles like 'King' and 'Queen' upon Zulu members in an attempt to instill pride and confidence. His feeling was that if you treated people like royalty then they would turn around and act like royalty in their actions. As Bam's recording career blew up, he saw too it that many of folks who were from the streets got an opportunity to go on tour with him and the Soul Sonic Force. Sometimes they were employed as roadies. Other times they worked as security. Again Bam's main objective was to see to it that local cats got a chance to see there was a much bigger world outside the Bronx.

Change didn't happen over night, but today the testament to all that hard work is the fact that there are vibrant Zulu chapters in more than 20 countries all over the world with estimated membership of over 10 thousand. They have come to embrace and preserve Hip Hop's key elements and have exemplified what is often considered Hip Hop's 5th Element-'Knowledge'. To me the beauty of it all is seeing what was once considered a 'ruthless gang' evolve' to a group that has strived and succeeded in serving the community. There are all sorts of stories about Zulus ridding their housing projects of drug dealers and many of the older guys spending time mentoring younger people. There are stories about Zulus escorting women to and from their apartments as well as looking out and helping those in need. This of course is in addition to various Zulu chapters that have involved themselves in local politics including the fight to Free Mumia and get him a new trial. We also can not overlook the fact that it was Zulu Nation members who put out some of Hip Hop's first records as well as among the first to establish Hip Hop's first radio shows. Who could forget Zulu Beats with Afrika Islam on WHBI. Its a shame that there hasn't been more of a public celebration and acknowledgment of this organization and its accomplishments.

Zulu nation, Afrika Bambaataa (much respect)

What Is Hip Hop Culture?

Too many people are unclear as to what Hip Hop Culture really is and tend to use the term frivolously. Hip Hop Culture is commonly recognized by its main elements: Graffiti, Djing, Breakdancing (B-boying), Mcing, and Beatboxing. These elements are forms of art designed to express a deeper meaning. At its core, Hip Hop is also much more than art and entertainment. Hip Hop is the constantly evolving spirit and consciousness of urban youth that keeps recreating itself in a never-ending cycle. It is joy, sorrow, pleasure, pain, victory, defeat, anger, happiness, confusion, clarity, humor, intensity, dream, nightmare, life, death, and everything else in between. It is the spirit that connects the past to the present and lays a path towards the future. The spirit of Hip Hop is the same as Jazz, Reggae, Blues and a multitude of other types of expressions. Hip Hop Culture cannot be assimilated, integrated, diluted, watered-down, sold for profit, or pimped. It will always exist, in this incarnation or another. Hip Hop is life and all it has to offer. This knowledge lays the foundation for all those who thought of Hip Hop as nothing more than entertainment.

Hip Hop!
Hip hop teaches the history of the inner city. It teaches the economics of post-industrialism. The hip hop culture is a lens through which we can really analyze current events and politics in our society. Hip-Hop adds a face and a voice to those who might not have otherwise been seen or heard from in any other medium. Whether right or wrong Hip Hop gives credence to those who have been historically shunned, disregarded, oppressed and invalidated. Hip-Hop is an evolving life force within the person that lives it, breathes it, and moves around in it. Hip-Hop is more than what you hear on the radio, read in the magazines, or what you watch on TV. Hip-Hop is you. Hip-Hop is ME!